REVIEWS
Post-film thoughts.
Mickey 17: Subtlety Is Dead—And Should Be
Mickey Barnes (Robert Pattinson) has died 16 times. He is what they call an “expendable”—his sole purpose to be a test subject, to die and be reprinted for humanity’s needs. It’s the 2050s and humans have hopped on spaceships to escape capitalism and a dying Earth. Four years into the expedition, Mickey is now the eponymous Mickey 17.
Ricky: A Twisted Rebirth
In Ricky (2025), we follow Ricardo Smith (Stephan James), as he attempts to re-learn what it means to live a free life as a now 30-year-old after being incarcerated for 15 years.
Trap: The Fangirl Experience
Trap follows a serial killer who attends a pop concert with his daughter only to discover the whole event is an attempt to catch him. But I’m not interested in discussing the protagonist or the overall plot. Because what struck me —and stuck with me—most about the thriller is how respectfully Shyamalan treats his preteen fangirl character.
Rains Over Babel: Eclectic Retribution and (Literally) Dancing With the Devil
Rains Over Babel (2025) is director Gala del Sol’s feature film debut at Sundance 2025, and what an intimately enthralling and adventurous debut it is. Through three separate character arcs that are also closely interwoven with each other, the film highlights the trials of not just coming to terms with your identity but being able to openly embrace it and celebrate it with the people who matter.
DJ Ahmet: Against All Odds
Georgi M. Unkovski, in his first feature-length film, brings us to the country of North Macedonia to show us the life of music in their corner. DJ Ahmet (2025) is about a 15-year-old shepherd boy from a small Macedonian village.
LUZ: Worlds Intertwined
Flora Lau’s LUZ (花明渡) follows two narratives intertwined across three distinct settings. The main storylines take place in Paris and Chongqing, both connected through virtual reality.
Bunnylovr: Virtual Isolation in the New Generation
Katarina Zhu proves to be a triple threat in her debut feature film Bunnylovr (2025), which premiered at the Sundance Film Festival this January.
Sorry, Baby: Finding Good Things Amongst the Bad
Divided into chapters and in jumbled-up chronology, Sorry, Baby takes us back in time to show us the ghost, and then through the years between then and the present. Years are defined by chapter titles and defining incidents: “The Year With the Bad Thing,” “The Year with the Questions,” “The Year with the Good Sandwich.” What emerges is a slow, vibrant picture of a life before, during, and after trauma, shown to us in glimpses.
Rocky’s: Familiarity, Nostalgia, and Friendships That Remain Timeless
As Charlie drives into the parking lot of Rocky’s, the delicatessen where he spent his childhood years growing up, he runs into his friends—figures from the past who create tension and conflict at first. Through difficult conversations, long-due confrontations, and a good amount of snacking on sandwiches, we watch the estranged group transition back into a crew, a group of friends who are there for each other through thick and thin.
Sabar Bonda: Love, Loss, and the Spaces That Hold Us
Sabar Bonda is tender—not just in its storytelling but in the way it wraps you in its emotions, like a warm embrace. No wonder it became the first Marathi film to premiere at Sundance; its universality transcends language, speaking instead in the language of love.
By Design: The Theatre Of The Absurd On Screen
Camille is a middle-aged woman who feels different from the people around her. She wants ideas and meaning to fill her life. She wants deep connection. She wants genuine communication. She wants to feel seen. She wishes and she wants. She wants. She wants. She wants.
Sunfish (& Other Stories on Green Lake): Everything Eats and Is Eaten
Sunfish is a glimpse into lake life, a life lived by the rhythms of the water, which, by turns, can be languid and peaceful or choppy and unpredictable; the surface of which can be navigable, while its depths hold unfathomable unknowns. And which, above all, can feel as familiar and well-worn as home.
Conclave: Sacred Uncertainty
The thing that made Conclave resonate so deeply with me, and what makes it one of the best movies of 2024, is its earnest appeal—from the narrative down to the production design—to reason and humanity amidst opulence, hypocrisy, and ego.
Santosh: Power Corrupts
The bones of Santosh could very easily have told the story of a young woman succeeding against all odds, rising into higher ranks within a powerfully patriarchal system—a tale of female empowerment. But life is rarely that simple.
How to Make Millions Before Grandma Dies: A Family Portrait, a Mirror
The Thai film breaking box office records and filling movie theaters all around the globe with tears, How To Make Millions Before Grandma Dies (2024) is a comedy-drama about a college dropout, M, who elects himself as the caretaker of his cancer-stricken grandmother, Mengju, in hopes of inheriting her assets.
100 Yards: A Hidden Ode To Chinese Martial Arts Cinema
A directorial collaboration between brothers Xu Haofeng and Xu Junfeng, 100 Yards (2023) is a martial arts film set against the backdrop of a westernizing 1920s Northern China. When an influential martial arts master passes away and appoints his apprentice Quan as his successor, the master’s son An engages the apprentice in a power struggle that upheaves both their martial arts circle and the entire city.
The Exiles (Los Tortuga): Textured Kinship
Spanish director Belén Funes’ The Exiles (original title: Los Tortuga) peers at that fragile relationship through the lens of its two main characters as they attempt to strike a balance between their own perceptions of each other and reality.
The Paradise of Thorns: On Getting Even
Imagine you have spent years of your life with your partner, working together to maintain a family business. You’ve invested all the money you have and spent every day labouring all to have it taken away from you because your name is missing from one document. How far would you go to get it back?
Bob Trevino Likes It: On Unconventional Friendships Turned Chosen Families
With Lily’s severe lack of paternal love and Bob’s childless marriage, the film explores how the bizarre duo connect and fulfill each other's personal voids. Bob Trevino Likes It is a heartwarming and healing film about chosen families whose posts are always worth liking.
Seeds: Embracing Rage
Those first few minutes of Seeds, Kaniehtiio Horn’s debut feature film, tells us exactly what we’re in for—a tongue-in-cheek comedy-thriller, but one grounded in very real questions of identity, colonialism, and heritage.