REVIEWS
Post-film thoughts.
Rocky’s: Familiarity, Nostalgia, and Friendships That Remain Timeless
As Charlie drives into the parking lot of Rocky’s, the delicatessen where he spent his childhood years growing up, he runs into his friends—figures from the past who create tension and conflict at first. Through difficult conversations, long-due confrontations, and a good amount of snacking on sandwiches, we watch the estranged group transition back into a crew, a group of friends who are there for each other through thick and thin.
Sabar Bonda: Love, Loss, and the Spaces That Hold Us
Sabar Bonda is tender—not just in its storytelling but in the way it wraps you in its emotions, like a warm embrace. No wonder it became the first Marathi film to premiere at Sundance; its universality transcends language, speaking instead in the language of love.
By Design: The Theatre Of The Absurd On Screen
Camille is a middle-aged woman who feels different from the people around her. She wants ideas and meaning to fill her life. She wants deep connection. She wants genuine communication. She wants to feel seen. She wishes and she wants. She wants. She wants. She wants.
Sunfish (& Other Stories on Green Lake): Everything Eats and Is Eaten
Sunfish is a glimpse into lake life, a life lived by the rhythms of the water, which, by turns, can be languid and peaceful or choppy and unpredictable; the surface of which can be navigable, while its depths hold unfathomable unknowns. And which, above all, can feel as familiar and well-worn as home.
Conclave: Sacred Uncertainty
The thing that made Conclave resonate so deeply with me, and what makes it one of the best movies of 2024, is its earnest appeal—from the narrative down to the production design—to reason and humanity amidst opulence, hypocrisy, and ego.
Santosh: Power Corrupts
The bones of Santosh could very easily have told the story of a young woman succeeding against all odds, rising into higher ranks within a powerfully patriarchal system—a tale of female empowerment. But life is rarely that simple.
How to Make Millions Before Grandma Dies: A Family Portrait, a Mirror
The Thai film breaking box office records and filling movie theaters all around the globe with tears, How To Make Millions Before Grandma Dies (2024) is a comedy-drama about a college dropout, M, who elects himself as the caretaker of his cancer-stricken grandmother, Mengju, in hopes of inheriting her assets.
100 Yards: A Hidden Ode To Chinese Martial Arts Cinema
A directorial collaboration between brothers Xu Haofeng and Xu Junfeng, 100 Yards (2023) is a martial arts film set against the backdrop of a westernizing 1920s Northern China. When an influential martial arts master passes away and appoints his apprentice Quan as his successor, the master’s son An engages the apprentice in a power struggle that upheaves both their martial arts circle and the entire city.
The Exiles (Los Tortuga): Textured Kinship
Spanish director Belén Funes’ The Exiles (original title: Los Tortuga) peers at that fragile relationship through the lens of its two main characters as they attempt to strike a balance between their own perceptions of each other and reality.
The Paradise of Thorns: On Getting Even
Imagine you have spent years of your life with your partner, working together to maintain a family business. You’ve invested all the money you have and spent every day labouring all to have it taken away from you because your name is missing from one document. How far would you go to get it back?
Bob Trevino Likes It: On Unconventional Friendships Turned Chosen Families
With Lily’s severe lack of paternal love and Bob’s childless marriage, the film explores how the bizarre duo connect and fulfill each other's personal voids. Bob Trevino Likes It is a heartwarming and healing film about chosen families whose posts are always worth liking.
Seeds: Embracing Rage
Those first few minutes of Seeds, Kaniehtiio Horn’s debut feature film, tells us exactly what we’re in for—a tongue-in-cheek comedy-thriller, but one grounded in very real questions of identity, colonialism, and heritage.
Mr. K: Searching for Meaning
Tallulah H. Schwab’s Mr. K tells the story of a travelling magician as he checks into a mysterious hotel and must later find his way out while encountering a strange cast of characters along the way.
The Mountain: An Authentic Māori Story Marking Multiple Brilliant Debuts
The Mountain is a multi-layered treat. Visually stunning and moving, it allows the paradisiacal landscapes of Taranaki to do all the talking. Thematically, too, The Mountain is rich and kaleidoscope-like in what it can offer to its audience.
All We Imagine As Light: Beauty in the Ordinary
Kapadia demands your attention with the slow pace of the film and rewards those who give it. It is a deeply honest representation of what it feels like to live and to learn from the people you don’t realize you can learn from.
Good One: Everything and Nothing is the Same
A young girl with two big male egos out in isolation, what could go wrong? The film is a poignant reality check on girlhood, masked under the fantasy of the forest.
DÌDI (弟弟): A Son’s Coming of Age
Though this film is largely a coming-of-age story, what shines through isn’t Chris’s journey to find himself. Rather, it’s the touching and sincere relationship between him and his mother, the only person who loves him so purely.
Backspot: We’re All Just People
It is easy to see myself in Riley—in her anxious nature, in her drive to perfect her craft, in her ability to lose herself in her passions, sometimes at the detriment to the people around her.
I Wish You All The Best: In Search of Hope
Dorfman spoke about wanting to make a queer movie centered on hope, rather than trauma. And that is exactly what this film does—it shows that there is always love to be found in friends, chosen family, and community.
Ben and Suzanne: Love on the Rocks
Shaun Seniveratne’s ‘Ben and Suzanne, A Reunion in 4 Parts’ looks into a love that grows, consumes, and shudders to an end.