REVIEWS
Post-film thoughts.
EXODUS: The Uncertainties of Transitions and Human Relationships
Focusing on the life of two women post-incarceration, the documentary short film delivers a raw, compelling showcase of Trinity Copeland and Assia Serrano’s stories, experiences, and struggles after they get out of prison and return to their “normal” world.
Last Call: A Psychedelic Dreamscape
Winnie Cheung’s latest film, Last Call, premiered at South by Southwest 2025 as an acid folk thriller bathed in neon lights, with almost dizzying glimpses of Claudia’s life. Each shot is a puzzle piece putting the premise together, from dancing at a party to her speeding on a motorcycle. It plays out like a psychedelic dreamscape, constantly changing gears without waiting for the viewer to catch up.
Mickey 17: Subtlety Is Dead—And Should Be
Mickey Barnes (Robert Pattinson) has died 16 times. He is what they call an “expendable”—his sole purpose to be a test subject, to die and be reprinted for humanity’s needs. It’s the 2050s and humans have hopped on spaceships to escape capitalism and a dying Earth. Four years into the expedition, Mickey is now the eponymous Mickey 17.
The Perfect Neighbor: Community Anatomy
The film’s format successfully pulls at the initial threads of many necessary conversations surrounding the incident without actually making any commentary on its own. Owens’ murder reignited conversations in America surrounding “stand-your-ground” laws, especially how they are frequently tied to racism and discrimination, and The Perfect Neighbor elicits further discussions on this front.
Ricky: A Twisted Rebirth
In Ricky (2025), we follow Ricardo Smith (Stephan James), as he attempts to re-learn what it means to live a free life as a now 30-year-old after being incarcerated for 15 years.
Trap: The Fangirl Experience
Trap follows a serial killer who attends a pop concert with his daughter only to discover the whole event is an attempt to catch him. But I’m not interested in discussing the protagonist or the overall plot. Because what struck me —and stuck with me—most about the thriller is how respectfully Shyamalan treats his preteen fangirl character.
Deaf President Now!: Not To Be Silenced
In 1988, Gallaudet University, the first college for the deaf and hard of hearing in the United States, had never actually had a deaf president. The documentary opens with the news reaching the hopeful Gallaudet students on the ground that the college’s board of trustees, with Spilman as their figurehead, had chosen the hearing candidate.
Rains Over Babel: Eclectic Retribution and (Literally) Dancing With the Devil
Rains Over Babel (2025) is director Gala del Sol’s feature film debut at Sundance 2025, and what an intimately enthralling and adventurous debut it is. Through three separate character arcs that are also closely interwoven with each other, the film highlights the trials of not just coming to terms with your identity but being able to openly embrace it and celebrate it with the people who matter.
Bunnylovr: Virtual Isolation in the New Generation
Katarina Zhu proves to be a triple threat in her debut feature film Bunnylovr (2025), which premiered at the Sundance Film Festival this January.
Sorry, Baby: Finding Good Things Amongst the Bad
Divided into chapters and in jumbled-up chronology, Sorry, Baby takes us back in time to show us the ghost, and then through the years between then and the present. Years are defined by chapter titles and defining incidents: “The Year With the Bad Thing,” “The Year with the Questions,” “The Year with the Good Sandwich.” What emerges is a slow, vibrant picture of a life before, during, and after trauma, shown to us in glimpses.
Rocky’s: Familiarity, Nostalgia, and Friendships That Remain Timeless
As Charlie drives into the parking lot of Rocky’s, the delicatessen where he spent his childhood years growing up, he runs into his friends—figures from the past who create tension and conflict at first. Through difficult conversations, long-due confrontations, and a good amount of snacking on sandwiches, we watch the estranged group transition back into a crew, a group of friends who are there for each other through thick and thin.
By Design: The Theatre Of The Absurd On Screen
Camille is a middle-aged woman who feels different from the people around her. She wants ideas and meaning to fill her life. She wants deep connection. She wants genuine communication. She wants to feel seen. She wishes and she wants. She wants. She wants. She wants.
Sunfish (& Other Stories on Green Lake): Everything Eats and Is Eaten
Sunfish is a glimpse into lake life, a life lived by the rhythms of the water, which, by turns, can be languid and peaceful or choppy and unpredictable; the surface of which can be navigable, while its depths hold unfathomable unknowns. And which, above all, can feel as familiar and well-worn as home.
Come See Me In The Good Light: And Suddenly Nothing In The World Was Dying
Directed by the critically acclaimed Ryan White, Come See Me In The Good Light (2025) is a documentary following the journey of two poets navigating a devastating cancer diagnosis. It explores the personal lives of lovers Andrea Gibson and Megan Falley—detailing how they fell in love and their current domesticity—and more.
Conclave: Sacred Uncertainty
The thing that made Conclave resonate so deeply with me, and what makes it one of the best movies of 2024, is its earnest appeal—from the narrative down to the production design—to reason and humanity amidst opulence, hypocrisy, and ego.
Bob Trevino Likes It: On Unconventional Friendships Turned Chosen Families
With Lily’s severe lack of paternal love and Bob’s childless marriage, the film explores how the bizarre duo connect and fulfill each other's personal voids. Bob Trevino Likes It is a heartwarming and healing film about chosen families whose posts are always worth liking.
Good One: Everything and Nothing is the Same
A young girl with two big male egos out in isolation, what could go wrong? The film is a poignant reality check on girlhood, masked under the fantasy of the forest.
DÌDI (弟弟): A Son’s Coming of Age
Though this film is largely a coming-of-age story, what shines through isn’t Chris’s journey to find himself. Rather, it’s the touching and sincere relationship between him and his mother, the only person who loves him so purely.
I Wish You All The Best: In Search of Hope
Dorfman spoke about wanting to make a queer movie centered on hope, rather than trauma. And that is exactly what this film does—it shows that there is always love to be found in friends, chosen family, and community.
Songs From The Hole: A Visual Album Soaked In Humanity
The quality of JJ’88’s music, the visuals of ‘Songs From The Hole,’ and the way they magnify Jacobs’ circumstance of being both victim and perpetrator brings the film above the empty and vain marketing attempts that have become emblematic of music video production today.