REVIEWS
Post-film thoughts.
![Sabar Bonda: Love, Loss, and the Spaces That Hold Us](https://images.squarespace-cdn.com/content/v1/65962b3e1e066853b1b68240/1739212005256-EIMR4CULFCUC54ZCE9D3/Sabar_Bonda_Cactus_Pears-Still2.jpeg)
Sabar Bonda: Love, Loss, and the Spaces That Hold Us
Sabar Bonda is tender—not just in its storytelling but in the way it wraps you in its emotions, like a warm embrace. No wonder it became the first Marathi film to premiere at Sundance; its universality transcends language, speaking instead in the language of love.
![Backspot: We’re All Just People](https://images.squarespace-cdn.com/content/v1/65962b3e1e066853b1b68240/1713550275601-GA1BCK0XCX51OIABI3LB/backspot_hero.jpg)
Backspot: We’re All Just People
It is easy to see myself in Riley—in her anxious nature, in her drive to perfect her craft, in her ability to lose herself in her passions, sometimes at the detriment to the people around her.
![I Wish You All The Best: In Search of Hope](https://images.squarespace-cdn.com/content/v1/65962b3e1e066853b1b68240/1712081317152-E9VE9OSUBNDUOF6JGUYZ/i-wish-you-all-the-best-277853.jpg)
I Wish You All The Best: In Search of Hope
Dorfman spoke about wanting to make a queer movie centered on hope, rather than trauma. And that is exactly what this film does—it shows that there is always love to be found in friends, chosen family, and community.