REVIEWS

Post-film thoughts.

Last Call: A Psychedelic Dreamscape
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Last Call: A Psychedelic Dreamscape

Winnie Cheung’s latest film, Last Call, premiered at South by Southwest 2025 as an acid folk thriller bathed in neon lights, with almost dizzying glimpses of Claudia’s life. Each shot is a puzzle piece putting the premise together, from dancing at a party to her speeding on a motorcycle. It plays out like a psychedelic dreamscape, constantly changing gears without waiting for the viewer to catch up.

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Mickey 17: Subtlety Is Dead—And Should Be
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Mickey 17: Subtlety Is Dead—And Should Be

Mickey Barnes (Robert Pattinson) has died 16 times. He is what they call an “expendable”—his sole purpose to be a test subject, to die and be reprinted for humanity’s needs. It’s the 2050s and humans have hopped on spaceships to escape capitalism and a dying Earth. Four years into the expedition, Mickey is now the eponymous Mickey 17.

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The Perfect Neighbor: Community Anatomy
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The Perfect Neighbor: Community Anatomy

The film’s format successfully pulls at the initial threads of many necessary conversations surrounding the incident without actually making any commentary on its own. Owens’ murder reignited conversations in America surrounding “stand-your-ground” laws, especially how they are frequently tied to racism and discrimination, and The Perfect Neighbor elicits further discussions on this front.

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Trap: The Fangirl Experience
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Trap: The Fangirl Experience

Trap follows a serial killer who attends a pop concert with his daughter only to discover the whole event is an attempt to catch him. But I’m not interested in discussing the protagonist or the overall plot. Because what struck me —and stuck with me—most about the thriller is how respectfully Shyamalan treats his preteen fangirl character.

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Deaf President Now!: Not To Be Silenced
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Deaf President Now!: Not To Be Silenced

In 1988, Gallaudet University, the first college for the deaf and hard of hearing in the United States, had never actually had a deaf president. The documentary opens with the news reaching the hopeful Gallaudet students on the ground that the college’s board of trustees, with Spilman as their figurehead, had chosen the hearing candidate.

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Sorry, Baby: Finding Good Things Amongst the Bad
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Sorry, Baby: Finding Good Things Amongst the Bad

Divided into chapters and in jumbled-up chronology, Sorry, Baby takes us back in time to show us the ghost, and then through the years between then and the present. Years are defined by chapter titles and defining incidents: “The Year With the Bad Thing,” “The Year with the Questions,” “The Year with the Good Sandwich.” What emerges is a slow, vibrant picture of a life before, during, and after trauma, shown to us in glimpses.

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Rocky’s: Familiarity, Nostalgia, and Friendships That Remain Timeless
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Rocky’s: Familiarity, Nostalgia, and Friendships That Remain Timeless

As Charlie drives into the parking lot of Rocky’s, the delicatessen where he spent his childhood years growing up, he runs into his friends—figures from the past who create tension and conflict at first. Through difficult conversations, long-due confrontations, and a good amount of snacking on sandwiches, we watch the estranged group transition back into a crew, a group of friends who are there for each other through thick and thin.

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Conclave: Sacred Uncertainty
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Conclave: Sacred Uncertainty

The thing that made Conclave resonate so deeply with me, and what makes it one of the best movies of 2024, is its earnest appeal—from the narrative down to the production design—to reason and humanity amidst opulence, hypocrisy, and ego.

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Seeds: Embracing Rage
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Seeds: Embracing Rage

Those first few minutes of Seeds, Kaniehtiio Horn’s debut feature film, tells us exactly what we’re in for—a tongue-in-cheek comedy-thriller, but one grounded in very real questions of identity, colonialism, and heritage.

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