ESSAYS
Personal stories, analyses, and explorations.
D-Day in Concert: A Breakdown of the Artist
One of the most intriguing things about Min Yoongi’s discography has always been his thorough exploration of different concepts of identity. Both his songs as SUGA of BTS and his robust solo career as Agust D are full of reflections that hit with a gut-punching earnestness. And out of all of his forays into the topic, the 2023 Agust D D-Day concert tour was the most revelatory into his views on art and its relation to the self.
Right Place, Wrong Person: Seeing What a Life is About
Namjoon presents his uncensored feelings through an eclectic mix of genres and an exploration of whether he’s been living the right way as both Namjoon, a guy in his 20s, and RM, leader of world-renowned K-pop group BTS.
Jimin’s Muse: Perfect, Blue
‘Muse’ is not Jimin saying, “I was sad, but now I’m happy and in love.” It is, instead, a refreshingly honest look at how one emerges from a low point—a cautious, curious exploration of how to love and be loved again.
Maybe the Real Friends Are the Monsters We Made Along the Way
The kids riding bikes, the crawling through gutters, the guardrails, the fence, the isolation in a crowd—when I saw “Domodachi,” I saw Hirokazu Koreeda’s 2023 film Monster echoing through every frame. It is a reference I did not expect and a word I have not related to Namjoon for a long time.
Don’t Let Me Be Misunderstood: A Look into “LOST!”
RM's single, "LOST!," and its corresponding music video offer a thorough dissection of his perspective, desperate to finally overcome human communication barriers by literally taking you into his mind.
You’re at the Center, and So Am I
BTS’ music video for “Black Swan” is an example of a perfect dance film. It’s a kind of cine-choreo that perfectly utilizes elements of its setting—the theatre. And instead of using it as solely a stage, the theatre almost feels like a character itself as the camera rotates it to keep BTS in place.